Showing posts with label Sub Pop. Show all posts
Showing posts with label Sub Pop. Show all posts

Tuesday, September 28, 2010

No Age, "Everything in Between"

In 2010, the term “punk rock” has evolved into myriad meanings, each one depending on who’s doing the defining. For LA noise-punk duo No Age, it represents a fiercely independent DIY ethos that permeates everything they do. On their third full-length (and second for indie giant Sub Pop), the duo continue to steadily expand their sonic palette while creating more of their emo-tinged slabs of deceptively melodic mayhem. From the sunny Beach Boys aesthetics of “Life Prowler” to the college-radio-at-4am whirr of “Glitter,” it would be easy to say this is the band’s most accessible release to date. But it would also be true: Glossier production values don’t detract from the songs’ sneering defiance, which is never too far from the music’s surface. No Age even flirt with getting downright pretty on tunes like the dreamy, My Bloody Valentine homage “Positive Amputation” and “Chem Trails,” which is reminiscent of classic Sonic Youth. Evolving without losing sight of their roots in now-famous all-ages LA club the Smell, No Age are rightful heroes for a new generation of emerging indie rockers eager to really go their own way.

(Originally published on shockhound.com)

Tuesday, January 26, 2010

Beach House, "Teen Dream"



(Sub Pop) Woozy, bluesy and bruised, Maryland duo Beach House conjures a dreamy romanticism akin to the melancholy mood of classic Spiritualized and movie “The Virgin Suicides.” Maudlin organ melodies drift over purposefully stiff drum machine beats, only adding to the stark atmosphere. This is Beach House’s third album, and they display a subtle new arsenal of sonic abilities. Opening song “Zebra” features Alex Scally on vocals, his mannered, British-sounding enunciation giving the song an almost Coldplay feel. But it’s the rich, soaring voice of Victoria Legrand that powers “Teen Dream.” Her, raw, husky delivery is a welcome relief from the usual ethereal whispers far too many acts fall back on in similar situations. Beach House also reveals the ability to craft a killer modern pop song in “Norway.” Thick with swirling synthesizer strings and Legrand’s lush vocals, it’s an obvious standout track from a cohesive album that’s full of sweet little surprises.

(Originally published on Shockhound.com)